Reflecting on the cover story and the controversial image Kasmauski shot that raised as much furor as praise, Kasmauski discusses obesity around the world: what it indicates, what it enables, and what it often predetermines in societies as disparate as rural Japan, Northern Alaska, Sub-Saharan Africa and Appalachia.
Kasmauski champions the value of what is for many, their first filter on experience. In her line of work, for instance, who shoots the story often factors into what story will be told. A Japanese American woman, as in Kasmauski’s case, will likely have a different cultural filter than a man from another part of the world. Both would arrive at the same scene, but each would interpret the surroundings, the narrative, the relationships, according to his or her baseline beliefs and experiences. Kasmauski argues that this distinction is what feeds the rich human experience, and without it, we are little more empty vessels.
No matter how hard she searched the faces and communities of Japan, Kasmauski could not find the mythologized Japanese women she had always read about: the fragile flowers. It wasn’t until she traveled the world as a photographer for National Geographic that she rediscovered half of her heritage and grew acquainted with a modern Japanese culture.
For the last ten years Kasmauski has given us the personal side of numerous global health crises: AIDS, malnutrition, immunization, reproductive health, and overpopulation. In this sweeping view of the human condition, Kasmauski shares the stories that have and will continue to shape our joint destiny in this ever-shrinking world.
Kasmauski focuses her lens on the inspiring and compelling story of nurses around the globe, from midwives working on the Texas/Mexico border to nurses fighting AIDS in Kenyan slums. In this presentation, she illustrates why nurses hold the power to make a difference and are the true leaders in many communities, serving on the front lines of social, economic and environmental crises.
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